transparence – Dé montages

Saemmer, Alexandra, Nolwenn Tréhondart, et Lucile Coquelin. 2022. Sur quoi se fondent nos interprétations ? Introduction à la sémiotique sociale appliquée aux images d’actualité, séries télé et sites web de médias. Papiers. Villeurbanne: Presses de l’enssib.

À partir de quels savoirs, plus ou moins intériorisés et conscientisés, conférons-nous du sens aux productions médiatiques ? Quelles en sont les bases sociales, culturelles, expérientielles ? Prenant résolument le contrepied de toute entreprise de décodage des textes, de fact-checking ou de critique des sources, les autrices de l’ouvrage Sur quoi se fondent nos interprétations ? — Alexandra Saemmer, Nolwenn Tréhondart et Lucile Coquelin — entendent poser les fondations d’une démarche en éducation aux médias qui mettrait l’accent sur les processus interprétatifs à l’œuvre dans notre compréhension des messages médiatiques.

02/06/2023 11h14

« Transparence » et « bidouillage » : comment entrer à l’intérieur d’un média ? Le cas des réseaux sociaux et des jeux vidéo

Cette séance pose la question de l’éventuelle portée critique d’une réflexivité de l’usager sur les médias numériques. Depuis les années 1970 (et notamment l’émergence de la vidéo amateur), le rapport émancipatoire aux médias s’est fondé en effet sur la croyance selon laquelle une « prise en main » de l’intérieur, par les usagers eux-mêmes, favoriserait leur compréhension des dispositifs médiatiques, les affranchirait des normes dictées par les usages « professionnels » et « industriels » de ces dispositifs, et répondrait à leur insatisfaction à l’égard des productions auxquelles correspondent ces usages « professionnels » et « industriels ». Chacun à sa manière, les deux intervenants nous invitent à déstabiliser cette croyance, en montrant que la vertu critique attendue d’une pratique réflexive des médias n’est peut-être pas si évidente, ou en tout cas n’est pas forcément là où on l’attendrait. Cette problématique générale est déclinée sur deux objets différents, qui mettent chacun en lumière deux modalités de la réflexivité : Jan Teurlings évoque les politiques dites de « transparence » adoptées par les réseaux sociaux numériques ; Pierre-Yves Hurel envisage quant à lui les communautés de créateurs de jeux vidéo amateurs, à travers leur imaginaire et leurs pratiques de « bidouillage ».

24/03/2023 9h36

On the Rhetorical Use of “Stealth” and “Invisibility” in Pandemic Communication

Soon after the beginning of the COVID-19 pandemic, the novel coronavirus was described as a “stealth virus” because those who carry it are highly contagious before they show any signs of infection. This is indeed a major public health issue: If people are contagious well before they show any symptoms, strategies of contact tracing and containment are bound to play catch-up. However, the label of the “stealth virus” was also instrumentalized, especially in political rhetoric, to insinuate a lack of transparency of the virus itself. This post briefly explores how the label of the “stealth virus” was rhetorically weaponized for political purposes.

23/05/2022 17h53

Building Transparency by Handling Polyphony

How can polyphony be used to create an effect of transparency in media discourses, especially when communicating with a view to educating their audience about the media? This case study is about examining media scenographies, that’s to say — in a nutshell — how a media can stage an informational and communicative enterprise by, for instance, assigning enunciative positions among the different stakeholders (who could be journalists, experts, the public, witnesses).

23/05/2022 17h51

Beyond transparency? Youtube, epistemic algorithms and the heuristics of montage

Rather than striving for more transparency in the algorithmic selection and recommendation processes of YouTube, this paper examines to what extent the platform can be considered as an epistemic device, as it always performs editing operations that cannot be reduced to partly opaque and commercially or ideologically oriented outputs.

23/05/2022 17h41

Investor/Consumer: Looking Back to the Game Stop Short Squeeze

This post argues that the protocols of the trading platforms used by retail investors are designed to fix users in a consumer position, with no influence in the curse of the markets. Challenging corporate discourses describing these platforms as vectors of transparency in the traditionally opaque world of finance, an analysis of Robinhood’s Payment for Order Flow (and eToro’s closed trading system demonstrates that the very elements making these services understandable for millions of users foreclose their agency as traders.

23/05/2022 17h36

A short history of online platform transparency

This post explores the genealogy of the discourse and practices of transparency of digital platforms, specifically social network services, during the 2010-2021 period. Discourses and practices of transparency include quantified reports (transparency reports, advertising libraries) and the accompanying textual production published by the GAFAM (Google, Facebook/Meta, Amazon, Apple, Microsoft).

23/05/2022 15h51

Conspiracy speakers’ criticality: too little or too much? A Rhetorical Reflexion on Conspiracy Theories

If the well-studied phenomenon of conspiracy theories still catches our attention, it is among other reasons because it crystallizes many aspects of our society. For example, our relationship with the media, the notion of transparency, the phenomenon of fake news, but also our ability to live together and make society. In this post, we will focus on the relationship that conspiracy speakers build within their discourses with the notion of “truth” as a value. Our hypothesis is that conspiracy speakers are too confident about this notion; instead of being critical and doubtful about events – as they seem to appear at first – they are instead too sure of being right. In this perspective we will argue that within conspiracy discourses, truth as a value is paradoxically based mostly on the character of the speaker and not on the reasoning they expose.

23/05/2022 14h54

Unveiling the false, screenwriting the true. Transparency battle in the Early modern polemics (the example of the French Catholic League, 1585-1594)

During the Wars of Religion (16th and 17th centuries), various political or religious groups produced polemical texts. This post focus on the production of the zealous Catholics, whose texts use a large variety of argumentative strategies. Two of them are structured along the axis of transparency: a rhetoric of unveiling and a staging of the information.

23/05/2022 14h30

“Knowing the audience” on digital platforms

A platform, in its very nature, promises to make the entire communication chain transparent (and hence controllable). For content producers, this makes platforms an appealing environment to distribute their creations, since they offer the possibility to know their audiences. Most platforms therefore offer contributors insight into the reach of their creations, in the form of dashboards that contain audience metrics. This knowledge about the audience given to content creators is “interested”, in the sense that the knowledge is not random nor complete, and in its biases it is possible to detect a certain managerial logic.

23/05/2022 11h20