Étiquette : engagement critique

Conspiracy speakers’ criticality: too little or too much? A Rhetorical Reflexion on Conspiracy Theories

If the well-studied phenomenon of conspiracy theories still catches our attention, it is among other reasons because it crystallizes many aspects of our society. For example, our relationship with the media, the notion of transparency, the phenomenon of fake news, but also our ability to live together and make society. In this post, we will focus on the relationship that conspiracy speakers build within their discourses with the notion of “truth” as a value. Our hypothesis is that conspiracy speakers are too confident about this notion; instead of being critical and doubtful about events – as they seem to appear at first – they are instead too sure of being right. In this perspective we will argue that within conspiracy discourses, truth as a value is paradoxically based mostly on the character of the speaker and not on the reasoning they expose.

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Suspended Confrontation. Requalifying Controversy by Means of Factual Truth

Fake news is commonly recognized to be a direct generator of controversy as well as the “discursive events” (Calabrese 2018) that feed and structure it. The identification of fake news through media coverage then implicitly becomes the embodiment of critical thinking; along those lines, the act of identifying fake news turns into a set way of preserving the public’s ability to take stand on the democratic issues involved. However, I wish to draw attention to the observation according to which, despite this apparently close relationship between controversy and so-called fake news, discussing a public controversy around that frame does not fuel the debate, but rather tends to neutralize it, on a political level.

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Déconstruction, réflexivité, créativité : le problème des niveaux critiques en éducation aux médias

Les directrices de l’ouvrage soulignent l’importance d’élaborer des perspectives méthodologiques afin de s’écarter des écueils des kits pédagogiques, fiches pratiques et grilles de lecture toutes faites, souvent requis auprès des actrices et acteurs de l’éducation aux médias. La volonté du livre est à cet égard de ne pas réduire le projet éducatif à « une incantation de l’esprit critique », mais de l’enjoindre à « [tenir] compte des difficultés à prendre du recul sur des contenus et des dispositifs, du fait à la fois de leur performativité, de leur potentiel de fascination, des services qu’ils rendent et de la grande opacité de leur fonctionnement ».

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