Une conférence de Nolwenn Tréhondart (U. Lorraine) et Anne Cordier (U. Lorraine), dans le cadre du cycle « Que veut (et que peut) encore l’éducation aux médias? »
22 mars 2022
Une conférence de Nolwenn Tréhondart (U. Lorraine) et Anne Cordier (U. Lorraine), dans le cadre du cycle « Que veut (et que peut) encore l’éducation aux médias? »
22 mars 2022
Soon after the beginning of the COVID-19 pandemic, the novel coronavirus was described as a “stealth virus” because those who carry it are highly contagious before they show any signs of infection. This is indeed a major public health issue: If people are contagious well before they show any symptoms, strategies of contact tracing and containment are bound to play catch-up. However, the label of the “stealth virus” was also instrumentalized, especially in political rhetoric, to insinuate a lack of transparency of the virus itself. This post briefly explores how the label of the “stealth virus” was rhetorically weaponized for political purposes.
How can polyphony be used to create an effect of transparency in media discourses, especially when communicating with a view to educating their audience about the media? This case study is about examining media scenographies, that’s to say — in a nutshell — how a media can stage an informational and communicative enterprise by, for instance, assigning enunciative positions among the different stakeholders (who could be journalists, experts, the public, witnesses).